自宅建筑设计：于闹市寻一方本真与自在

。The obvious visual contrast breaks the limitation of individual design style, but attains aconspicuous and harmonious balance through the subtle gradation of colors and lines. Back to the natural and elegant home life, in the mean time, adding humanistic feelings and artistic flavors to it, which can express the owner’s understanding and thinking of life better.△美术家DALI CHEN，《Cosmos》续作Artist | DALI CHEN, 《Cosmos》series△桌子Living room桌子延续下去共存圆润的主用蓝，交错柔曼绚丽，与拙朴的长桌、松软的布艺餐具、粗粝的漆器、纯透的烧瓷和永生的植器物等简素的器物体，共同装饰性着宽敞，体现出有一种可人心知、充满现代性的场域。The living room keeps using the neutral shades which are gentle and soft. The hue is checkered with mild light and shadow, ornaments the inner space in company with a plain long table, floppy furniture, crude potteries, clear porcelains, everlasting plants and so on, to create a space which can be touched and filled with inclusiveness. 走入健身房，人以后被人人的夏天所包覆。在与器物交互的同时，开启与时两者密切关系段和种自由空两者密切关系的沟通。在无忧无虑温润流转的天和自然环境中的，清灵而沉静的精神和气度以后被完完全全滋养。Walking into the room, we will be embraced with a warn environment. Interacting with object in the room, at the same time, we are also starting to interact with time and space. In the peaceful environment while time moves tenderly, the composure and spirit will be nourished silently. △窗户建筑设计内Suite窗户外观设计，重返最所谓的功用需求，延续下去纯朴简约的主用蓝，以身体的舒适作为外观设计的衡量宏观，辅之以坚硬而抗拒的餐具，打造一种笔触而亲密的体验人心。主卧整排的衣柜非常大保证了储器物需求，木框和藤编的组合亦带来些许旅游者般休闲度假的气息；主卫用长虹铁皮围裂解了半虚半实的种自由空两者密切关系，绚丽氤氲，情不自禁绰绰，弱化了区域内两者密切关系的边界，却又保存了区域内的统一性和陌生人性。Going back to the basic function of bedroom, we continue to use the neutral shades as a simple style, to make the body’s comfort as the design’s metric, to create a delicate and intimate experience by soft and leisurely furniture. The big wardrobes in the main bedroom perfectly meet the storage requirement. The group of wooden baskets and rattan products creating a casual atmosphere. The glass wall of the main bathroom reduces the feeling of boundary but also keeps independence and privacy between bedroom and bathroom. The light and shadow eddied and shifted while the misty figures swayed gracefully.眼球从咖啡厅往低处落去，以后是两个窗户切断为一个大包厢的次卧。用藤编悬围合起一架古董长笛，让其腹后的床榻显得更是加陌生人和充满安全人心。Looking out from the dining area, we can see the other suite which is combined by two small rooms. There is a piano surrounded by a rattan screen that helps the bed behind it can create more private and safe feeling.△为了匹配这个家的蓝系外观健身房设计特地再从日本冯家回来的哑面松木蓝长笛In order to match the style of home,designer bought this matt teak piano from Japan.△榻上的画作来自明尼阿波利斯亚裔美术家Bai Mengfan的《Rothko’s window I》Artist | Bai Mengfan, 《Rothko’swindow I》妙，是从于灵活性转变FUN, comes from the agile transformation.“我们个人主义于一些种自由空两者密切关系有灵活性叠加的不合理，把相同的功用交融在一起。希望能尽可能大标准差为了让到每个种自由空两者密切关系，而不是有的窗户才会被长期空置。” “We’d like to transform some space and combine some functions agilely. For that, every space would be used as much as possible instead of leaving it empty. ”功用与表示方式兼具，相结合这个种自由空两者密切关系的一体两面，是外观健身房设计对自己的允许。相同于将各个种自由空两者密切关系分界为固定的功用这种常规手法，Josh即使如此了传统文化的种自由空两者密切关系布局，以灵活性轻松的方式，模糊了区域内的分界界另加。种自由空两者密切关系的态势与心态被释放，随着每一处生活习惯场景的变化而共存匹配。随处可见的妙味性多角度，不仅大大增加了种自由空两者密切关系的层次性，在完成人心知上的共存过渡与连续性的同时，丰富了人与种自由空两者密切关系、及人与人之两者密切关系的沟通关系。Constructing the space with beauty and practicality is the designer’s self-requirement. Unlike the traditional layout that each area has its own function, Josh breaks rules and weakens the boundary agilely. The structure and emotions of spaces are released and match when the place is changing. The interesting vision could be seen everywhere, that not only adds layers of the space but also finish the vision’s transition and continuity, enrich the interactions between space to people, men to men.△窗户小画来自明尼阿波利斯市亚裔美术家Yang Wan的《7:17pm》Artist | Yang Wan, 《7:17pm》△咖啡厅角化A part of kitchen寝室的操作台外移，与过道相辅相成在一起，转变成不两者密切关系断3米7的大长桌，不仅可以洗菜备餐，更是可以作为餐厅、过道甚至办公桌使用。长桌如同寝室的密切关系，与其他种自由空两者密切关系共存相连，消除了种自由空两者密切关系区域内性的阻隔，将美食与生活习惯联接。在这中的，不仅可以与朋友随时畅享“偷得浮生半日闲”的饮茶无忧无虑，还可以在匆忙美食的期两者密切关系，与家人进行亲密学术交流和沟通。 Josh moved the kitchen’s counter outward and combined with dining table, in order to create a 3.7 meters long table. People can prepare food on the table before meal time, they can also drink, eat or work on it. The long table looks like a bond of the kitchen, which can link with other spaces naturally, eliminate the area’s boundary and connect delicacy with lifestyle. Here, you can smell the flowers and enjoy the tea-time with your friends. And you can also communicate with your family intimately when you prepare food. 自宅的特殊性，允许外观健身房设计在顾虑种自由空两者密切关系功用性的同时，展示出于生活习惯的陌生人性。次卧的洗手两者密切关系还轻松地外观设计了两个入口，其中的一小门与小窗户连接，在有用餐到访时，次卧直达的洗手两者密切关系小门以后可关闭，小窗户的小门开启，将次卫临时叠加为方以后使用的公卫。对外开放和陌生人，以后在两扇小门的叠加中的轻易完成对接。The particularity of a private home requests designer to consider the functionality, and to pay attention to the privacy of life. The secondary bathroom skillfully arranged two doors. One of them leads on to the balcony, and it will open when guests come. Meanwhile, the door leading on to the secondary bedroom will be closed, so this bathroom will become a convenient temporary public bathroom. Publicity and privacy will make transformation easily because of these two doors.△1960年原产自雪梨的餐椅外观健身房设计 | Grant FeathersonDinning chairs from Australia, 1960Designer | Grant Featherson△外观设计的松木扪藤旁边外观健身房设计 | Pierre JeanneretRattan teak benchDesigner | Pierre Jeanneret美，呈现于结构上之处AESTHETIC, is showing attitudes everywhere.“绝大部分餐具特别设计是我们海冯家回来的，也有的是在国内产品小店供货，画是一些海内外美术家的原创创作。这些其产品从境外各国家船舶、民用航空回来，长途跋涉回到了家中的成为一员。在一些外地的环游世界中的，我们有时也才会带至些有妙的饰品瓶罐。今日也开始慢慢在珍品一些大师的美术品了。” “Most of the furniture were bought abroad, some of them bought from domestic brands, and the paintings are originals by artists from China or abroad. These overseas productions have a long trek by sea or air, and finally become members of our home. Sometimes, we bring some interesting ornaments back home during the vacation. And now, we start collecting some masters’ works gradually.”美术是种自由空两者密切关系的眼，使基本概念的完整再一必要的体现。蓝彩与轮廓是心灵表示的载体，在点与点之两者密切关系相连，氤氲出有所困难重重着的心态，意味着种自由空两者密切关系与人的一次对谈。美术创作在笑容触及两者密切关系，酝酿人的心灵，又通过人的心灵的映射，升华创作的意境。可以说，恰到好处的美术创作的装饰性，是人、美术与种自由空两者密切关系的彼此贡献。Art is the eye of space and shows the space more complete and full. Colors and shapes are intermediaries of emotions expressing. They connect to each other between spots, emanate their own moods and accomplish a dialogue between space and men. Art works will excite people’s feelings when we see them, and will have dignified the meanings through the reflections from people. In a manner of speaking, appropriate artistic decorations create an achievement of men, art, and space.Josh和Suki于斯中的兰卡除夕夜旅途时人肉腹回的不锈钢烛台，由此还路中了一段意料之外的此时此刻：相恋了大师巴瓦的一位文书工作伙伴，还有幸被推荐游览了巴瓦给他外观设计的豪宅。Josh and Suki took an iron candlestick home and got a lucky story when they were travelling in Sri Lanka. They met a workmate of master Bawa by accident and to be invited to visit his villa, which was also designed by Bawa.△1955年原产自爱沙尼亚的气球扶手椅Balloon chair外观健身房设计 | Hans OlsenBalloon chair from Denmark, 1955Designer | Hans Olsen△明尼阿波利斯亚裔美术家Bai Mengfan的《L.I.M.B.O 15:121》Artist | Bai Mengfan, 《L.I.M.B.O 15:121》△清代的洗脸架Basin rack, Qing Dynasty△农村工地捡回来的新陶罐An ancient pottery from a rural project site△Space age的壁灯A wall lamp, Space age贝克特曾预判，当代艺术就是“生活习惯与美术的最后相辅相成”。每一个美术品，都在述说着在岁月底中的历程的剧情，同时随着无忧无虑的推移，印刻上不灭的痕迹。与其说是珍品美术品，不如说是珍品时两者密切关系段的清醒。这些清醒延伸至种自由空两者密切关系，使生活习惯种自由空两者密切关系描绘有具有心灵温度的三维，放大出有一个个或有妙或精采的生活习惯片段，在房屋委员会的花圃种自由空两者密切关系留下造器物般的清醒痕迹，散发出有侘寂与当代交融而成的华贵韵味。Wilde predicted that aesthetic is the final compound of life and art. All works of art are speaking about their experiences and stories, and be left the trails as time passes by. Collecting memories of time is more like collecting objects. When the memory extend to space, it describes the images with emotional temperature in the living space, reflects interesting or unforgettable fragments, leaves memory signs in the living space, exude the particular charm of the style of Wabi-sabi with modernism.Name | 工程原计划:

Designer's house | 外观健身房设计自宅

Location | 工程项目地点:

Shenzhen, China｜中的国 深圳市

Area | 外观设计范围:

89㎡

Principals in charge｜主案外观设计:

Josh Wen 文志刚｜FUSION DESIGN享誉外观设计

FFSimonE Design｜软装外观设计:

FUSION DESIGN｜享誉外观设计

Photographer｜工程项目摄像:

Yun Ouyang 欧阳云｜隐象建筑设计摄像

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